POST-GRAFFITI PACIFIC - Sydney

Jul 2015

aMBUSH Gallery, Sydney, AUS

Post-Graffiti Pacific is not just another graffiti exhibition. It’s a statement and a definition - a bold assertion of language, history, culture, expression and the significance of place in art making. Curator Olivia Laita and her line-up of seven leading Post-Graffiti Pacific artists are proposing, with conviction, the dawn of a new movement in art. Post-Graffiti Pacific, seeks, in part, to organise the way we talk about urban contemporary art. As urban contemporary artists have evolved to straddle the divide between public and studio practice, terms like ‘graffiti’ and ‘street art’ have become insufficient to describe the activities and motivations of today’s urban artists. ‘Post-Graffiti’ is now a recognised term, used to describe the work of artists whose backgrounds in graffiti inform their professional artistic practice.

aMBUSH Gallery’s director Bill Dimas says, “The way the flourishing urban contemporary art movement permeates geographical borders in order to both unify and distinguish cultures and modes of expression has been one of aMBUSH’s driving motivators since the day we launched. It is exciting to be working with Olivia and the Post-Graffiti Pacific artists in bringing their perspectives and skills before a Sydney audience so we can continue to explore the potential of urban contemporary art and its future as a movement.”

In embracing the concept of Post-Graffiti, and to further crystalise their roles in and relationships to the new urban contemporary art movement, the seven Post-Graffiti Pacific artists also use their work to emphasise their cultural backgrounds as New Zealanders. Through Post-Graffiti Pacific, they intend to platform themselves as representatives of Post-Graffiti artists who hail from the greater Pacific region.

Curator Olivia Laita says, “Post-Graffiti Pacific is the vehicle for [the artists] to explore the complexity of issues relating to a region that accounts for around a third of the planet and 40% of global trade. Human migration in both the ancient and modern and the pre and post-colonial context provides the basis for the artists to cover a multitude of subjects that encompass everything from ancient exploration, mythology, identity, economics and environmental issues.”

Promo Image: Brendan Kitto, 2014

Gallery Images: Enzo Amato, 2015