aMBUSH Gallery’s director Bill Dimas says, “The way the flourishing urban contemporary art movement permeates geographical borders in order to both unify and distinguish cultures and modes of expression has been one of aMBUSH’s driving motivators since the day we launched. It is exciting to be working with Olivia and the Post-Graffiti Pacific artists in bringing their perspectives and skills before a Sydney audience so we can continue to explore the potential of urban contemporary art and its future as a movement.”
In embracing the concept of Post-Graffiti, and to further crystalise their roles in and relationships to the new urban contemporary art movement, the seven Post-Graffiti Pacific artists also use their work to emphasise their cultural backgrounds as New Zealanders. Through Post-Graffiti Pacific, they intend to platform themselves as representatives of Post-Graffiti artists who hail from the greater Pacific region.
Curator Olivia Laita says, “Post-Graffiti Pacific is the vehicle for [the artists] to explore the complexity of issues relating to a region that accounts for around a third of the planet and 40% of global trade. Human migration in both the ancient and modern and the pre and post-colonial context provides the basis for the artists to cover a multitude of subjects that encompass everything from ancient exploration, mythology, identity, economics and environmental issues.”
(PC: Enzo Amato)